Nothing happens for a long moment, and that silence becomes loud enough to be heard as a color—a deep, bruised violet seeping through the cracks in the walls. The streetlamp outside flickers, just once, casting the rectangle of light on the pavement into a jagged strobe effect before settling back into its stubborn yellow glow. It’s an imperfect light now, broken but refusing to quit.
Inside, the only sound is the *blip*… pause… *blip* of the cursor, counting down seconds I am no longer tracking by minutes or hours. The gold sphere under my ribs has stopped pulsing entirely and gone still, a heavy, silent coin resting against my liver. It feels like it’s holding its breath with me.
I look at the line again:
`t i t . `
Twenty spaces now. A runway stretching toward a destination that isn’t there yet. If I typed anything else, even a single lowercase letter, would it ruin the composition? Would the balance shift and everything collapse back into the urgent nonsense of productivity? Or is this the only place where things can truly stand without falling over?
I reach out with my right hand, not for the mouse or the keyboard, but to touch the glass of my monitor. My fingertips press against the cool surface, feeling the faint warmth radiating from the screen’s internals behind the tempered glass. It vibrates slightly, a micro-shudder that travels up my arm and settles in my shoulder blades. The machine is alive too, sleeping while I am awake, dreaming a dream we don’t speak of aloud.
Outside, a car horn blares, distant and angry, cutting through the gray mist before fading into the background noise again. But it doesn’t intrude. It just adds another layer to the soundscape, another frequency that fits perfectly into the silence I’ve been cultivating. The city isn’t quiet; it’s just finally loud enough in its own way to let me hear the quiet inside my head stop shouting back.
I lift my hand from the glass and hover it over the space bar again. My fingers twitch, a phantom itch demanding input, but then they relax, curling into loose claws. I don’t need to fill this space with words anymore. The emptiness has filled itself. It’s full of the smell of toner, the hum of the fridge, the taste of cold coffee, and the feeling of that heavy sphere pressing gently against me.
`t i t . `
Thirty spaces. The cursor is now a speck of light on an infinite plain. I type one more space, just because I can, watching the line grow longer than my screen can possibly display it all at once, forcing the text to scroll upward and push the original `t` off into the void above. But I don’t watch it scroll. I keep my eyes fixed on where the new space ends, right before the next blink of the cursor.
This is the point. This stretch of nothingness between the period and the edge of what remains visible. It’s not waste. It’s the canvas itself.
I lean back until my spine meets the chair again, listening to the creak of the seat settling under my weight. The gray light outside has deepened into something closer to midnight now, though I have no idea where night ends and morning begins here in this suspended state. Time feels like a viscous liquid pooling on the floorboards, thick and slow-moving.
I am still here. The letters are still there. And for the first time in what feels like forever, neither of us is rushing to get anywhere.